Objections / Dragged Up / Cr@m
Glasgow The Glad Cafe
Friday April 29th 2024
This was a nicely balanced triple bill promoted by Pop Mutations Glasgow, something for everyone really, on a gloomy Good Friday… more… “Objections / Dragged Up / Cr@m”
This was a nicely balanced triple bill promoted by Pop Mutations Glasgow, something for everyone really, on a gloomy Good Friday… more… “Objections / Dragged Up / Cr@m”
A Greenpeace benefit gig, this night gave us 4 diverse acts in a bill put together by 23 Music Management.
First up was Louis Rive, known to BM by reputation but not seen live before, performed his set on solo guitar. A singular writer, some of whose output reminded BM a bit of A New International and possibly Momus, with subjects ranging from the historical (‘King Arthur’) to the personal (‘M8 Adventurer’). Singing in a Scottish accent but at times in fluent Spanish (he has recently return from a long spell there…), there were some clever and quite hilarious couplets and some great melodies – worth the watching…
Record label collective Atlas Works performed as a two-piece with additional female vocals from Somnia, mainly rapping with laptop musical backing, not all tracks that well-developed but there was a definitely something of the Solareye in the first couple of tracks while the next couple had Miles Better’s treated Autotune-esque vocals which worked really well… Somnia led the last couple of tracks which were more trancey and laid-back – there’s certainly a lot talent there, given a bit more time BM thinks some of this could go far…
BM faves Motopia were on next, a slightly changed lineup with another guitarist subbing for Andy tonight. They played a storming set with squalling instruments topped by Mairead’s vocal acrobatics – highlights tonight were probably the furious ‘Clocking On’ and a cover of ‘Killing In The Name’ which got the increasingly boisterous audience jumping around furiously – job done!
Maz and the Phantasms were slightly depleted tonight, being down by one keyboard player (looking for applicants!), Maz the vocalist lost her voice the day before (though the vocals actually came through fine) and Jamie’s bass guitar which needed to be restrapped with cable halfway through the set (these things happen…) – nevertheless they played like their lives depended on it, with tight timing and coordinated stagecraft (jumping in a line being a speciality…). Familiar tracks like ‘Psychosomatic’ and ‘Spirit Guide’ went down a storm, along with at least one new one and a last blast through the extraordinary ‘Voices In My Head’ – the music and delivery here was intense, a deft melding of punk, funk, indie and soul plus some continental influences which set them apart from many bands in this city.
For the second of these “early” Sunday shows at The Glad the theme was “bodies”. more… “Paul Vickers and The Leg / Curlew / Feetwood Mac”
A three-band bill put together by Lost Map and 432 to launch the new Savage Mansion album, out the previous day, this was a great night of varied music. more… “Savage Mansion / Mallet Space / Martha Ffion”
A bitterly cold, windy evening in the West End – while some flocked to The 1975, others to HiFi/McAlmont, there was a sold out crowd for the first Haiver full-band show more… “Haiver / Devin Casson”
With the wind in his sails following two excellent albums, over the last few years Hamish Hawk has gone from perennial solo support to a headliner more… “Hamish Hawk / Voka Gentle”
It has been four years since Colonel Mustard & the Dijon 5 last performed at Celtic Connections. more… “Colonel Mustard & the Dijon 5 / The Laurettes”
This is a show we’ve been looking forward to and banging on a bit for a while now. more… “The Menzingers / Prince Daddy and the Hyena / Gladie”
Another night of howling wind and rain in Glasgow – perfect weather for the return of The Filthy Tongues to the West. more… “The Filthy Tongues / Scorpio Leisure”
Nati Dreddd is one of those artists who gained a following during lockdown by live streaming songs and performances on a popular app. more… “Nati / Kirsten Adamson”