Fresh on the heels of newly reformed Libertines performances at this year’s Reading and Leeds festivals, among the chaos guitarist Carl Barat releases his debut solo album, Carl Barat.
‘Libs’ fans may be dismayed to discover that Barat has removed himself from the music he assisted in producing with the band that initially made him a familiar face. Instead he’s replaced the jangly guitar laden tunes with a collection of self-indulgent love songs awash with a heavy orchestral presence and pretentious lyrics,: “Love is a graveyard for nostalgia and troubles, wickedness and trouble. Forgive me love.”
To be honest, it’s a rather disappointing effort which leans precariously towards a considerably depressing outlook on love and relationships. It’s all a little over the top too, as if you’re witness to a strange attempt at rock operatic.
Highlights are few and far between on the 10 track album. However, ‘Carve My Name’ emerges from the gloom enjoying a mysterious, dark and theatrical feel to it aided by the welcome inclusion of strings. ‘Run With The Boys’ apes the Divine Comedy in parts with its quirky, almost comical approach. Sadly I doubt Barat intended it that way. And ‘So Long My Lover’ seems the pick of the bunch. Despite being about a break-up it remains upbeat throughout. In addition to an uplifting melody it even boasts great, soulful backing vocals near the close.
Hopelessly, the remainder all points to the ramblings of a man who suggests he could be in utter emotional turmoil: “I’ll never speak of love again”.
It’s little wonder the album is self titled. This is not an album for fans; this is an album for Carl Barat.
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