is this music?  an independent music magazine from scotland

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itm? grand back issue sale!

with cover stars like:

King Creosote, Biffy Clyro, Camera Obscura, Arab Strap, James Yorkston, Aberfeldy, Belle and Sebastian, Teenage Fanclub, Mull Historical Society, 1990s, Delgados, Idlewild, My Latest Novel, Errors...

also featured:

British Sea Power, REM, New Order, Low, Malcolm Middleton, Colin Newman, King Biscuit Time, Frances McKee, Quinn, Bricolage, Darren Hayman, Drive by Argument, Bob Mould, Saint Jude’s Infirmary, Popup, River Detectives, Hazey Janes, Looper, Primal Scream, Optimo, De Rosa, Found, The Divine Comedy, Bill Wells, How To Swim, Foxface, The Royal We, The Rapture, Howling Bells, Pat Nevin, The Long Blondes, We Are The Physics, Malcolm Ross...

every issue comes with a FREE CD :

Trashcan Sinatras, Aereogramme, Errors, Mother & The Addicts, Flying Matchstick Men, TV Smith, Frances McKee, Fighting Cocks, Germlin, Money Can’t Buy Music, Viva Stereo, Say Jansfield, Gasgiant, Primevals, The Zephyrs, Malcolm Middleton, Frightened Rabbit, BMX Bandits, Dananananaykroyd, We Were Promised Jetpacks...

take me to the shop!

//13 December 2007

Rhubarb

The Julius Work Calendar (self-released)

The Julius Work Calendar is the new album from Edinburgh based musician Richard Haswell. This album, like all his previous efforts, has been recorded pretty much by himself on either 4 track, or on his laptop, which considering the range of sounds which he has created is a very impressive feat. On the opening song ‘Forest Fear’ he manages to evoke memories of ‘Dark Side of the Moon’ era Pink Floyd, with the rest of the album tending more towards the twisted folk of King Creosote and the more experimental side of James Yorkston. The album’s fourth track is ‘Perfect Parallel’ a bruised ballad, which is followed by ‘Brick By Brick’ which, with its distorted and cracked vocals is the best track on the album. After this, the album takes a welcome instrumental break with ‘Boiler Room’, as if perfectly placed to let Haswell’s voice have a rest after ‘Brick By Brick’. The highlights from the remainder of the album are ‘52nd State’ which sounds a little bit like Rachel Steven’s ‘Some Girls’ (but in a good way), and ‘Lanterns’ which is heavily influenced by acoustic Led Zeppelin. In short, this is one of the best and most varied albums that I have heard all year.

//Bryan Jessiman

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