is this music?  an independent music magazine from scotland

itm? 2.0

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with cover stars like:

King Creosote, Biffy Clyro, Camera Obscura, Arab Strap, James Yorkston, Aberfeldy, Belle and Sebastian, Teenage Fanclub, Mull Historical Society, 1990s, Delgados, Idlewild, My Latest Novel, Errors...

also featured:

British Sea Power, REM, New Order, Low, Malcolm Middleton, Colin Newman, King Biscuit Time, Frances McKee, Quinn, Bricolage, Darren Hayman, Drive by Argument, Bob Mould, Saint Jude’s Infirmary, Popup, River Detectives, Hazey Janes, Looper, Primal Scream, Optimo, De Rosa, Found, The Divine Comedy, Bill Wells, How To Swim, Foxface, The Royal We, The Rapture, Howling Bells, Pat Nevin, The Long Blondes, We Are The Physics, Malcolm Ross...

every issue comes with a FREE CD :

Trashcan Sinatras, Aereogramme, Errors, Mother & The Addicts, Flying Matchstick Men, TV Smith, Frances McKee, Fighting Cocks, Germlin, Money Can’t Buy Music, Viva Stereo, Say Jansfield, Gasgiant, Primevals, The Zephyrs, Malcolm Middleton, Frightened Rabbit, BMX Bandits, Dananananaykroyd, We Were Promised Jetpacks...

take me to the shop!

//26 June 2008

Aderbat

Man Overboard (EP) (Mountebank)

As Aderbat’s cohesive EP draws to a close my relaxed limbs fall victim to a heavenly music-induced coma, if possible. Intelligent song structure, searching tales and thematic instrumentation throughout generate an ethereality that is almost otherworldly; an atmosphere immediately set by the alarming intro and eerie brass accompaniment of jazzy ‘Hardwired’. Despite the diligently controlled and cathartic rhythms, the melodies remain completely unpredictable giving the journeying tracks some unexpected twists and turns. On the gorgeous acoustic ‘Talk to Her’ the drowsily dipping vocals add a layer of surrealism to an otherwise simple ode to the eponymous female developing a real sense of originality. Unless, of course, the Lennon-esque rasp of Taylor’s voice, plucked guitars and cameo string sections momentarily bring any Rubber Soul love lament to mind. Generally, Taylor’s voice is nothing short of compelling whether nervously shaking on arty title track, ‘Man Overboard’, or wavering and fragile on the haunting ‘Unusual’. An often strange collaboration of surprising instruments, the sound has stadium potential, yet, manages to be minimal and dreamily intimate, especially on the sweet and playful ‘Dirt on My Hands’. Stellar and peculiar, the quintet from Bucks County, Pennsylvania invite us into their own universe. Just don’t listen to whilst driving.

//Eve Barlow

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